Dmitrii in a Klein-blue suit and pink loafers, seated in a white bouclé armchair on the salt crust of Larnaca Salt Lake with an iced frappé, a flamingo standing in the pink water beside him
SENIOR GRAPHIC DESIGNER · B2B TECH · 15+ YEARS · CYPRUS / EUSENIOR GRAPHIC DESIGNER · B2B TECH · 15+ YEARS

I make brands
look as reliable
as the product.

Identity, campaigns, web, motion, 3D, film. Fifteen years making the work itself — and the rules that keep the next hundred pieces consistent.

See the work

SELECTED WORK

The word Barley in large white letters on a sky-to-sand gradient, a pixel cat sitting on the B with a ball of yarn, a Coming soon to the App Store badge, and a phone showing a cat on the veranda under the line Barley is fedPRODUCT · 2026Product design

Barley — the alarm you
turn off by feeding the cat

My own iOS app, from an idea to a TestFlight beta in seven weeks: a mechanic proved on a real iPhone before anything was drawn, then the design, the build, the store listing and the beta.

View case →
3d icons & motion: the title on a white panel beside one of the six objects in turn — a game controller, a slot machine, a card terminal, a television, a cloud with a gear and a server tower, each on its own colour3D · 20263D & motion

3D icons — six verticals,
one form language

Six objects for six IT verticals, built to one rule set in Blender, each with its own loop. Set on cards and cut into a 34-second film on the beat.

View case →
CLSD×LOOP case card: “Should you be both issuer and acquirer” beside the chrome card terminal and a green cardCONCEPT · 2026Web design

CLSD×LOOP — a fintech argument
as a design system

Eight slides of B2B payments content, rebuilt as a design system and a live landing page. One token file, one accent, two Blender objects. Self-initiated.

View case →
GDC event experience previewEVENT · 2025Event system

Servers.com at GDC

Graphics for a 60 × 60 ft stand on a 400‑exhibitor floor, designed to the fabricator’s technical drawings.

View case →
Ted Holloway AI short film previewFILM · 2025Art direction

Ted Holloway — directing an AI short

Eight shots directed by hand to map exactly where AI video breaks. That map
is now the pipeline my next films run on.

View case →
Servers.com brand evolution case previewCASE · 2016⁠—⁠2026Brand strategy

Three rebrands,
one company

Ten years, three identities. The first from concept to rollout, the second across every vertical, the third across every channel.

View case →
Servers.com brand system previewBRAND SYSTEM · 2024⁠—⁠2026Brand systems

Servers.com brand system

100+ pages of rules and 120+ templates for marketing, sales and events, and most of the assets made from them by me.

View case →
AI illustration system previewSYSTEM · 2025⁠—⁠2026AI workflows

AI illustration system

200+ publish-ready images in one visual language, with no in‑house illustrator. Brief to approved asset, same day.

View case →
The Partners Connect pixel pattern: a Cobalt stair of scanlines rising left to right on Near Black, with white highlights across the stepsCONCEPT · 2026Web design

Partners Connect —
registration landing

Sign‑up page for Ultimate Group’s partner platform: the registration flow, a Figma component library with every state, and a working coded version.

View case →
RANGE

Range, with the receipts.

One brand, fifteen years, every surface it had to survive on.

IDENTITY

Three identities, one company

Logotype, marks, colour scales, typography, pattern. The first from concept to rollout, the second across every vertical, the third across every channel.

MOTION & 3D

Six objects, six loops, one film

Object design and look dev in Blender, each with its own loop, cut into 34 seconds on the beat.

WEB

Token file to live page

Landing pages and campaign sites built from one accent and one token set, designed and shipped.

CAMPAIGNS & CONTENT

75+ reusable assets in production

Social systems, YouTube, blog, white papers, product pages, sales decks. Seven teams working from the same library.

EVENTS & PRINT

Design for 75+ events

From full stands and event screens to speaker decks and announcement banners, including the graphics for a 60 × 60 ft stand at GDC.

AI IN PRODUCTION

200+ publish-ready images, one visual language

Generated inside art direction and explicit reject criteria. No in‑house illustrator.

SYSTEMS

100+ pages of rules, 120+ templates

Built so every team works from the same files, in Figma and Adobe.

HOW I WORK

What I make, and what I make it with.

Code

Claude Code + Codex for prototypes, automations, and content machines.

Prototype

Figma AI + MCP for system-ready concepts, components, and handoff.

Video

Node-based pipelines across Seedance and other latest models.

Image

Controlled generation with Nano Banana, Midjourney, Gemini, etc.

WORKING WITH ME

What colleagues trust me with.

Gillian AinsleyFormer Global Director of Marketing at servers.com
Working with Dmitrii was an absolute pleasure. He is able to take a creative brief and not just deliver, but bring options, ideas, and push the brief further where needed to create incredible work. I saw first hand his patience, determination and commitment to seeing projects through and delivering across different disciplines – even when deadlines were tough and requirements evolved.
Alexey PuchkinFormer Marketing Team Lead at servers.com
More than six years working next to Dmitrii and I can't remember a deadline he missed or work we had to redo because quality slipped. He also handled the part most designers hand back: taking a vague request from sales or marketing, finding the actual question behind it, and delivering something the team could pick up without another meeting.